Tony Yeh, an emerging artist from Taiwan, is a self-taught artist who has cultivated himself a solid foundation in classical painting style for years.  His canvas artworks were first exposed at Art Taipei 2021 and were sold out very soon, catching a lot of expectation and attention from many of the collectors. Tony Yeh encodes a graphic context with human hearts and vessels, explores the connection between human beings and the Nature, and brings elegant allegorical visual impacts with his abundant imagination and delicate painting expressions. At the same time, he presents his profound speculations between reality and fiction introspectively and extrospectively.

The inspiration of his series “From Heart” not only comes from 19th century anatomical illustrations, but also comes from his indulgence in modern Anime Art. Tony Yeh smoothly blends Western classical realistic painting style and visual icons in pop culture thence creates an impressive, unforgettable personal aesthetics.

Born in 1988, Kaohsiung (Taiwan), and graduated from Taipei National University of Arts. Currently a
Dierctor of the TAIPEI ArtCreator Trade Union, and a Curator of Walking Grass Agriculture. He works with
experimental animation and mixed media kinetic installations, incorporating his own background and
identity. His themes often include agriculture, nature and the coexistence of human beings with our
environment. His works have garnered many positive responses, silver medal in the Taipei Arts Award,
including the first prize of Next Art Tainan, silver medal in the MATA prize, selected for the Taoyuan
Contemporary Arts Award ,the Digital art award Taipei, National Art Exhibtion ROC and the Shenzhen
Independent Animation Biennale.

Luo Jr-shin (b. 1984) lives and works in Taipei. Luo’s practice revolves around the experimentation of a variety of traditional and unconventional materials. Interested in the framework and modes of production from which our cognitive experiences arise, Luo is known for capturing and amplifying the absurdity within precarious, illusionary, and sometimes delusionary moments of everyday life. Recent exhibitions include Taipei Fine Art Museum, Liverpool Biennial, ACC, Gwangju, Times Museum, Guangzhou; and Queens Museum, New York.

Jian Yi-Hong (b. 1988）graduated from Taipei National University of the Arts, he has won the Merit Awards of the Taipei Arts Awards 2014 and the 1st Chang Kuang-pin Art Award. Through recurrent simple male nudes, his works based on ink wash depict the undercurrents of desire between teens and middle-aged men with a humorous flavor filled with imagination, while representing reflections of reality and surreal imagination about existence in Taiwan’s society today. Recent exhibitions include: ” La Dolce Vita”, Michael Ku Gallery, 2021）, “Singing the Body Electric ” ( David Zwirner, Hong Kong, 2019) , “Tropical Cyclone”(Kuandu Museum of Fine Arts, Taipei, 2017), and “RIVERRUN” (Taipei Fine Arts Museum, Taipei, 2017).

Wei Jia was born in 1975 in Chengdu, Sichuan, China. Having graduated from the Print Making Department of the Central Academy of Fine Arts in Beijing in 1999, he currently teaches in the Sichuan Fine Arts Institute and lives in Chongqing. During his studies in the Central Academy, he has already won several important awards in the field of print making before shifting to acrylic painting as his focus. His current work remains focused on one’s internal side. Moreover, as he grows elder, his vision is expanded to include his feelings with others and groups in the society.

Wen Ching Hao’s work attempts to think about how to transfer from one social field to another in the image text, and the impact of an image being copied, embezzled and transformed in different cultural contexts. Explore the death and absence of death and things, by exchanging death, reveal the cruel character of death in an entertaining and enchanting way.
Using new media installations, images, sounds, and paintings, the pieces of memory that remain in the frame of the work are translated into his unique deconstruction method, reshaping and recreating a new narrative context, the image is no longer The past is a rebirth after transformation. By manipulating the physical perception practice of each reader, the personal emotional level is awakened again.

Zhu Chen-Wei was born in Tainan in 2000 and studied at the Department of Fine Arts at National Kaohsiung Normal University.
In the contemporary age of high information load, the world we perceive is mostly translated and organized through virtual platforms.
When truth and falsehood are difficult to handle in our daily life, we receive huge and useless information every minute and every second, which leads to extremes in the way we absorb information.
In his creation, he presents the dismantling and “re-defense” of images and their reading methods. In turn, it imitates the chaotic image, making the chaotic image itself become the object of ridicule to some extent.

Lao Tongli (born in 1982 in Guangdong Province) graduated from the Guangzhou Academy of Fine Arts with a Bachelor’s degree in Chinese Painting in 2006, worked and interned in Paris, France and Heidelberg, Germany from 2006 to 2008. He has been living and working in Guangzhou since 2009. The artist is deeply inspired by the rich phenomena of life interactions such as growth, consciousness, sensation, reproduction, life and death, and evolution through a gradual awareness of the internal functions of the human body and the ecosystem of nature. The figurative bloodline and the shape of the tree share similarities, weaving and depicting the cyclical patterns of life, blending and organizing them symbolically to create a field of life that overlaps, entwines, touches, links and expands.

Throughout his career of three decades, Zheng Chongbin (b. 1961, Shanghai) has held the classical Chinese ink tradition and Western pictorial abstraction in productive mutual tension. Systematically exploring and deconstructing their conventions and constituents—figure, texture, space, geometry, gesture, materiality—he has developed a distinctive body of work that makes the vitality of matter directly perceptible. Central to Zheng’s art is the notion of the world as always in flux, consisting of flows of matter and energy that repeatedly cohered and dissipated. Inherent in pre-modern Chinese and especially Daoist thought, this worldview enables contemporary inquiries into complex systems like climate and social behavior, artificial intelligence, and quantum physics.

Born on the island of Penghu in 1964, Shi Jin-Hua is a conceptual and performance artist currently lives and works in Kaohsiung, Taiwan. Being a type I diabetic, monitoring and recording physical conditions and insulin injections have been parts of his life since he was 17. Confronting the stern matter of life and death all the time, Shi treats his own body as an instrument for artistic execution. His practice relates closely to measuring and recording, reflecting the extraordinary spirit. He has participated in Taipei Biennial and Asian Art Biennial. Public collections owning his works include White Rabbit Collection, Australia, National Taiwan Museum of Fine Arts, Taipei Fine Arts Museum, Kaohsiung Museum of Fine Arts ,Art Bank, Taiwan and Fidelity International.